Thursday, 2 October 2008

WEBZINE - Static Movement


The October Edition of Static Movement is out now.

Check out "The Solution" and let me know what you think.

Friday, 5 September 2008

WRITING SOFTWARE - Name Generators

Names are interesting things. The meaning of names is even more interesting. For instance, David comes from Hebrew and means "Beloved". Such is from the Anglo-Saxon word for "Tree Stump." So altogether my name means "Beloved Tree Stump." Probably not the name you would choose for the next Galactic Emperor.

Speaking of names, I am hopeless at thinking up names for my characters. Consequently most of the time I use the names of our dogs (past and present).

This is probably doing a disservice to my works of art as a carefully crafted name can add to your story, providing a layer of resonance and meaning. A characters name is one way of providing clues about your protagonists nature. A character named Bozo or Jeeves comes with a pre-populated personality, which you should probably avoid because it is too obvious (although I guess you could play with this - how about an evil Bozo who becomes the next Galactic Emperor? Who voted for this clown? Yuk Yuk Yuk).

Moving right along ...

So if you want to avoid using clichéd names for the folks that populate your stories, how about using a name generator? There are stacks out there. For Fantasy names try:

- The Fantasy Name Generator

If you are interested in the history or etymology of names try:

- Behind the Name

They also have a random name generator.

For the mother of all naming sites try Seventh Sanctum. The have everything from evil name generators to pirate ship name generators.

Happy naming!

Thursday, 4 September 2008

WEBZINE - The Specusphere Issue 4


Issue 4 is out now!!

Pop over to www.specusphere.com and check it out.

It includes my new story, "Hell Hath No Fury." I'm always interested in feedback. Let me know if you liked it (or not) and why.







In this issue

Editorial
Where do I come from? by Stephen Thompson

Features
Irrealism and the Bizarro movement by Stephen Thompson
Ray-guns for Rocketeers by Jeff Harris

Up and Coming
Ford Street Makes Waves
The Wisdom of Water by John Archer
New Books from Gollancz for September–October 2008
New Books from Tor for September

People
Creating Memorable Characters: interview and discussion with Fiona McIntosh by Astrid Cooper

Writing and Publishing
Where do (writing) ideas come from? by Bill Youatt-Pine

Fiction
Hell Hath No Fury by David Such
Dolphin Dreaming by Ashley Hibbert
Chopped up Cut up by Damien Kane

Poetry
The Curse by Felix Calvino

Film Reviews
The Mummy: Tomb of the Dragon Emperor, directed by Rob Cohen
Journey to the Center of the Earth, directed by Eric Brevig
The Happening, directed by M. Night Shyamalan
Hellboy II: The Golden Army, directed by Guillermo Del Toro

Book Reviews
The Wheel of Darkness by Douglas Preston and Lincoln Child
Son et Lumiere by Ian Nichols
Saturn’s Children by Charles Stross
Phantom Pleasures by Julie Leto
Midnight Never Come by Marie Brennan
Black Ships by Jo Graham
Bewitched by Sandra Schwab
Incandescence by Greg Egan
Heart-shaped Box
by Joe Hill
Swiftly by Adam Roberts

Sunday, 31 August 2008

BUSINESS OF WRITING - Tax

IMPORTANT NOTE SO THAT I DON'T GET IN TROUBLE - I am not a financial advisor and this is NOT financial advice. You need to go and see your accountant about this stuff. The following is provided to provoke discussion on the topic only!

Would you like to offset your writing expenses against your primary income and reduce your tax bill?


It sounds great in theory and the good news is that there is case law which shows that being a full time employee in an unrelated field does not prevent you from doing this.

For any international readers, I apologise in advance, this Blog will be very Australian-centric.

So what can you potentially claim? Anything which contributes towards you producing a writing income. This could include:
  • Internet costs (ADSL fees, hosting and domain name fees, virius software, etc.)
  • Marketing and advertising costs.
  • Related travel costs - may be tricky.
  • Depreciation on your computer, printer, router, NAS, etc.
  • Other software costs like OS, and word processor.
  • Any accounting fees (you should have these - go and see an accountant, if they are any good you will recover their fees many times over!)
  • Depreciation of your home office furniture (assuming you do this from home)
  • Membership fees for relevant organisations (AHWA anyone?)
  • A proportion of home office expenses like: utilities (electricity, gas, phone, water); and depreciation on fittings (curtains, carpets and lights).
Note that you CAN NOT claim things like rent, mortgage interest, insurance and rates. Also note that if you do claim the office expenses detailed above, this may have capital gains tax implications when it comes time for you to sell your property. You need to weigh up the costs and benefits of this strategy.

How do you convince the ATO that these are legitimate tax deductions? Well this is what they look at:
  1. Is the purpose of the writing activity to make a profit? You need to intend to make a profit at some point (and hence pay tax) otherwise it is just another loss making hobby - anyone want to buy a vineyard? A business plan helps demonstrate your intentions here. If you send all of your pieces to magazines that don't pay - you may have a problem.
  2. The volume and regularity of the activities, particularly as it compares to similar businesses. Writing one short story a month is probably not going to cut the mustard.
  3. Running a P&L and balance sheet, having business premises, an agent, licences or qualifications, a registered business name and an ABN all helps.
  4. The level of annual turnover. If your revenue is $20 per annum it is difficult to argue that you are running a business.
  5. The amount of capital employed. You are unlikely to get the tick on this one as writing is not a capital intensive business. The ATO are looking for around $1M of capital invested. Please let me know if anyone has done this - I will be VERY impressed.
Another area that you need to consider is what sort of legal entity is the best for your arrangement (i.e. sole trader, partnership or company). This is another large subject which deserves a Blog of its own.

Want to know more? For anything that you will ever need to know about the business of writing go and check out the article by Ian Irvine on:

The Truth about Publishing at http://www.ian-irvine.com/

Sunday, 24 August 2008

WRITING QUOTES - Your Favourites

Do you have a favourite quote? Let me know and I will post it up. Our first contribution is from Antonio Barnes in Madrid.

"Ideas aren't innocent"
Antonio Barnes (http://forumnovum.blogspot.com/)

Saturday, 23 August 2008

WRITING QUOTES - From CS Weekly

A Collection of Writing Quotes from CS Weekly (www.creativescreenwriting.com):

Updated above ^^^^

Tuesday, 29 July 2008

WRITING - Character Generation

Interested in well rounded, fascinating characters that leap off the page? Then the following are some links to assist you in generating them. This was originally posted by prophet224 on the yWriter Google Group.

To quote the prophet:

"Here are a bunch of suggestions. There's a lot here. Go to the
bottom for a large pdf download of character questions and things to
know about your character. I hope this helps! :) Most of this stuff
is related to RPG character creation, but it should help and serve
double duty!

****************************************************************

Burning Void's character questionnaire:
(http://www.burningvoid.com/rpg/2001/pcquestions.php)

Burning Void's pdf book, "365 Character Questions for Writers and
Roleplayers," under "Downloads":

http://www.burningvoid.com/rpg/plcharacter.php

Fiction Writer's Character Chart:
http://www.eclectics.com/articles/character.html

The 100 Most Important Things to Know About Your Character:
http://www.geocities.com/poetess47/100questions.html

Character Questions from WritingClasses.com:
http://www.writingclasses.com/InformationPages/index.php/PageID/106

Proust's Character Questionnaire:
http://www.scripsit.com/questionnaire.html

(I'd like to acknowledge the blog "The Naked Truth" for some of these
links: http://nmallory.exit-23.net/ )


Another source of interesting questions is "The Book of Questions":

http://www.burningvoid.com/review/2001/thebookofquestions.php
(Example: Question #4: “If you could spend one year in perfect
happiness but afterward would remember nothing of the experience would
you do so? If not, why not?”

http://www.burningvoid.com/review/2005/bookofquestionsloveandsex.php

http://www.burningvoid.com/review/2005/boqbusinessethics.php

*******************************************************
Questions:
http://jtevans.kilnar.com/rpg/newchar.php

100 things to know about your character:
http://www.geocities.com/poetess47/100questions.html

More (maybe the same?) questions:
http://www.errantdreams.com/static/pc_questions

Various creation and design links:
http://zioth.com/roleplay/

Questions Download:
http://www.errantdreams.com/files/365charques.pdf

Saturday, 26 July 2008

WRITING QUOTES - From CS Weekly

Updated Above ^

USEFUL STUFF - Piclens


Not writing related but nevertheless you need to install PicLens for your browser! This is the first web 2 application that I have seen done well. In fact it is brilliant.

In the words of the website (www.piclens.com) "Transform your browser into a full-screen, 3D experience for online photos and videos." There is a version for all the major browsers.

It looks like something that Apple would develop, except it is free. If you are ever looking for images on the net then this little fella is a gotta have. You get the picture.

STORY BACKGROUND - The Long Green Goodbye


Issue 122 (July-August 2008) of AntipodeanSF is now available at www.antisf.com, so head on over and wallow in the trough of speculative goodness. While you are there make sure you check out Felicity's story "Windows to the Soul" and enjoy a Kodak moment. Now a bit about my story ...

ABOUT The Story

The Long Green Goodbye was inspired by an old Schweppes lemonade commercial that I loved. The advertisement was done in the style of the hard-boiled detective stories by Raymond Chandler - but funnier. One of the lines was something like, "a tall blonde walked past my window, I could tell that she was tall as my office was on the 2nd floor." *he he he*

The title is homage to the Travis McGee novels by John D. MacDonald. His 21 novels regarding this amateur sleuth all had a colour in the title and the first three novels in the series were published in the year that I was born. Respect.

BTW - You can read reviews of issue 122 here:

Hole in the page

Musings of an Aussie Writer


Wednesday, 23 July 2008

WRITING SOFTWARE - yEDIT








yEDIT from Spacejock Software.



SpaceJock Software (www.spacejock.com) has just released another handy little application. In my opinion this is good for writing short pieces (like FLASH fiction, 500 to 1000 words) and so complements yWriter which is better suited to organising longer works.

Its features include:
  • a plain text editor
  • a good autobackup system
  • a countdown word counter
  • an undo system
  • log folder of your daily word count.
The counter & autobackups update when you haven't typed for 2 or 3 seconds or so.

Note that it's NOT a word processor. Spacejock wont be adding spell checking, grammar checking, formatting, fonts or any of the other trappings of Word or OpenOffice.

Give it a try - did I mention it's free!

Sunday, 20 July 2008

WRITING BOOKS - Plot & Structure



Plot and Structure

By James Scott Bell









I enjoyed reading Plot and Structure, so I thought that I would jot down some of the key points that I picked up. In essence this book describes how to develop a road map for your story. Some may see this as a recipe for writing formulaic rubbish but just because every house has a plan doesn't mean that they all look the same. I have mixed my metaphors but you get the idea.

Bell acknowledges that there is a continuum of writers, from those that are capable of vomiting a stream of consciousness to those that can't get out of bed without a Gannt chart. I haven't worked out where I sit yet but I suspect that is just to the right of Genghis Kahn. No matter where you sit on that continuum, your writing will benefit from some structure and at the very least you should develop your LOCK before starting.

LOCK is a FLA (Four Letter Acronym). I guess he couldn't get it down to three.

L = Lead (who is your lead and why are they interesting?)
O = Objective (what does your lead want or want to get away from?)
C = Confrontation (what obstacles stop your lead from getting their objective?)
K = Knockout (what is the killer ending which ties up everything and resonates with the reader)

Bell argues that a strong ending can rescue a middling story. As part of the minimalist approach he recommends that you also whip up a back cover description of your story based on the LOCK. If this doesn't sound like something that you would want to read then it is time for a rethink.

By now I will have lost our less structured brethren so allow me to forge on with a bit more detail.

Bell points out that the three act structure has been in place for thousands of years which suggests that there may be something to it.

Act 1 introduces your lead and usually has an initial disturbance to get the reader interested. At or before about 1/5th the way through your word count a major disturbance occurs which thrusts your lead through a door way into Act 2. This door way is a one way trip. Once through your lead must have a reason to keep banging their head against all the obstacles you keep throwing up. This gives the story momentum and keeps people reading.

The door way to Act 3 should be at the 3/4 mark or further and is another one way trip. The trigger to crossing this threshold could be a major clue or setback, which sets you up for the final confrontation or choice in Act 3. The knockout.

Bell also talks about the rhythm of your story with the major chords being:
  • Action then obstacle; and
  • Reaction (how the lead responds and what choice is made)
And the minor chords:
  • setup; and
  • deepening
Which are added for spice.

Bell then speaks about the character arc, which editors tell me my stories don't manifest. His theory is that the arc looks something like:

Start -> Opinions -> Attitude -> Values -> Core Beliefs -> Self Image.

There is lots more in Plot and Structure, with plenty of examples from popular fiction, literary works , screenplays and comics.

I enjoyed it and will be giving some of his suggestions a go. I reckon it was well worth the $11.55 (plus postage). BTW - this is part of a series of books on Writing. There are other titles on Dialogue, Characters, Setting, etc. I have also purchased the one on Characters, Emotion and Viewpoint. Once I read that I will let you know what I think.

I bought this book on-line at www.amazon.com. Get it now while the Ozzie dollar is strong.

Saturday, 21 June 2008

WRITING TIPS - From George



George Orwell: "Politics and the English Language" published in 1946


1. Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.

2. Never use a long word where a short one will do.

3. If it is possible to cut a word out, always cut it out.

4. Never use the passive where you can use the active.

5. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.

Tuesday, 6 May 2008

WRITING SOFTWARE - Sonar 2


Sonar 2 from Spacejock Software

As an engineer I just gotta have a process for everything and that includes writing. I used to keep track of my submissions using a word doc but then I discovered Sonar. It is fantastic. You can track all of your works, where you have sent them and it automatically calculates how long a story has been out (though this can be a bit disheartening).


It is also handy for keeping a list of publishers / editors / markets that you are targeting. By using the filters provided you can sort by title, whether it has been accepted/rejected, how much money you have made out of the story (or not), word count, and whether it has been published yet.

You can't argue with the price either - it's free!


So give it a try. You can find out more and download a copy from:
Sonar

A
Beta version 3 is also available for those who like to live dangerously.

Sunday, 20 April 2008

FLASH FICTION - Tristesse

Tristesse

Copyright (C) 2008 David C. Such

First published in AntipodeanSF (http://www.antisf.com/index.html), Issue 119, April 2008.

Bands of metal secured his hands and feet to what felt like a cold stone slab. Casey couldn't remember how he had ended up like this. One minute he had been taking his dogs for their nightly walk, and the next moment he was here, in the dark, lying naked on a slab.

Casey shivered. None of the scenarios that he could imagine ended well. They varied from horrific to, at best, embarrassing.

He stared vainly into the dark, trying to make out details, something, anything. All he saw were bright flashes of light. He had read somewhere that this was a phenomenon that had first been recorded by the Apollo 11 astronauts. It was thought to be caused by cosmic radiation, but that couldn't be what was happening to him, not unless he was no longer on Earth.

Casey sniffed and drew in the metallic tang of scrubbed stainless steel. While hot sweat pooled at his lower back he simultaneously shivered from the cold.

A dry disembodied voice spoke, "This will go quicker if you relax number 64."

Casey looked from side to side but couldn't make out anyone or anything, "Who the hell are you? What do you want from me?" Casey hated not being in control of a situation.

"You may have heard that we only use 10% of our brains. This is, of course, rubbish, but there is an awful lot of redundancy. We are rewiring your synapses to remove this redundancy."

This was not one of the scenarios that Casey had imagined. "You need to stop this right now! I'm warning you — " Casey's voice tapered off as he fell into a dark well of unconsciousness.

***

Casey woke. He felt strangely light.

"You need to listen to me carefully, number 64. There are some side effects from the surgery that you need to be aware of." It was the same dry voice that had spoken to him before, this time coming from a hidden speaker.

Casey said, "You can go to Hell."

The voice spoke urgently, "Listen, you must be very careful what you wish for. Within a limited distance you have the ability to manifest new realities. You have been isolated for the safety of us and others. We will teach you meditation techniques to help manage your new ability but we need you to co-operate."

Casey laughed. He concentrated and imagined himself out of the room and free...

***

The Controller swore as Casey disappeared from the video monitor. He slammed his fist into the console. "God Damn it, not again!" he said. He shook himself to regain his composure. Turning to his companion, he said, "Ready candidate 65 for surgery."

***

Casey's frozen body floated gently away from the International Space Station's isolation lab.

He was free.

Saturday, 19 January 2008

FLASH FICTION - Immigration

Immigration

Copyright (C) 2008 David C. Such

First published in AntipodeanSF (http://www.antisf.com/index.html), Issue 116, January 2008.


The straps of the detention chair bit into his arms and his work shift was drenched with sweat. He jumped as the door to the holding cell slammed open. Two immigration officers strode in and stood looking at him. They weren't smiling. Apolyon tried to speak but his throat was so dry that it came out as a croak.

The male officer made a small gesture. The female nodded and snapped open a portable console. The male dragged a wooden chair across the bare fermcrete floor to the scarred table across from Apolyon. The wood on fermcrete screeched and made Apolyon wince.

"My name is Officer Dempsey. You have applied to become a citizen of the Australian territory of Synus V and as part of this process we need to ensure that you understand the Australian values of courage, endurance, mateship, and sacrifice. You will be asked a series of questions and your answers will be monitored by Officer Hynes," he nodded towards the female immigration officer. "We will know if you lie," he added.

"It is our policy not to detain females and offspring, consequently your family is being held in temporary accommodation modules within the DMZ. Should your application be unsuccessful you and your family will be returned to your territory of origin. Do you understand the situation?"

Apolyon looked Dempsey in the eye, trying to form a connection. "I just want to ensure the safety of my family. All native Synian's are being culled and I will do anything to keep them safe. I beg you to help me."

"True," said Hynes.

Dempsey looked away, "I am not responsible for setting foreign policy. If you answer the questions correctly you will become a citizen, if not you go back. I need you to confirm that you understand this."

"I understand."

"True," said Hynes.

"To earn the right of citizenship you will need to work in the Roentgenium Mines for a period of five standard years. Due to its remote location you will not be able to see your family for this period. Do you accept this condition?" Dempsey asked.

Apolyon bowed his head and whispered, "Country is not blood."

"What's that? You need to speak up."

"I understand."

"True," said Hynes.

"Good," said Dempsey. "One final question. Have you ever been involved in the Synian Resistance Movement?"

Apolyon frowned and replied, "No, I've never heard of such a group."

"False," said Hynes.

"What?? No there must be some mistake! The machine is mistaken!"

"The machine is never mistaken. This session is terminated at 14:52. Your questioning will be continued by Homeland Security."

Dempsey and Hynes left the room. The door remained inadvertently ajar. Apolyon stared at the fermcrete floor in disbelief, and strained his ears to listen.

"Bad luck for him that he arrived in an election year," said Hynes.

"What else are we going to do? If we don't fill our quota of rebels we become part of the problem."

Apolyon screamed as Dempsey returned to slam the door — no doubt to move on to the cell of the next unlucky immigration candidate.


*

Sunday, 18 November 2007

FLASH FICTION - Space Monkeys


Space Monkeys

Written by Stephen Cavanagh & David Such

First published in The Specusphere
(www.specusphere.com)

Friday, 09 November 2007



A monkey analogue wearing a company cap and Jimbo Jones's name tag was practising with a security key on Jimbo's office door when he arrived at work that morning.

'Door goes swit!' cried the creature in delight.

'Must be alien-wearing-a-hat week,' muttered Jimbo as he gazed at the scene before him. Aloud he said, 'Give me my bloody security key back, you crazy space monkey.'

'Not a space monkey, am a snortler, you well know, Jimbo.'

'Well, snortler, you're killing me. I may feed you to the Death Slime.'

'Snort feels angry person coming,' whispered snortler, looking dolefully at his feet and swaying slightly.

Jones made the mental translation from angry-person to dock-manager-who-wears-his-pants-too-high — uh oh. 'OK, snort, out of sight, quick as you can, leave the key on the desk, and this is for you.' He tossed a fruity bun towards the creature.

The Snortler whirled in the doorway to the hidden room that formed the secret section of Jimbo's office area, grabbed the treat out of the air with a grin, and vanished into darkness inside. Jimbo thought he could just hear the snortler squeal, 'door goes swit!' as the secret door slid shut.

'Jones!' shouted the dock manager, Harold Hilton, as he stormed down the corridor outside the office waving a sheaf of Jimbo's reports around, and fairly frothing at the mouth.

Time for a coffee, thought Jimbo as he grabbed his jacket off the back of his chair and made a break for the maze of attractively stained and dirty partitions that made up the office area outside his cluttered office. Too late!

'Not so fast, matey. I want to know what the blinking heck you think this rubbish is? You put three customs officers inside an alien creature last night, and all you can do is fill in reports?'

'Two officers, boss. Dawson managed it all by himself, the damn fool. Now I've stored the death slime in sub-basement 9, where it will quickly and safely perish, regurgitating our friends hopefully no worse for wear, if a little angry, possibly even very angry. Ah, perhaps much like you and your high pants.'

The dock manager's face flashed through the full visual spectrum of colours. It reminded Jones of the Andelucian cuttlefish found on Sirius V — currently a popular nightclub decoration. Harold was very sensitive about his high waist.

'I'm having an overwhelming urge to throttle you!' shouted Harold, 'but instead, I'm just going to suspend your arse. Report to the brig immediately!'

#

The Rock Dog gave a low growl at the three customs officers as they slowly backed away from what looked like a boulder on short legs.

'This place is a zoo,' said Stoikalizky. He, Dawson and Blake had just been decanted from the Death Slime and were on their way to find a good hot shower.

Blake looked over the destruction caused by the beast and decided to call it in. 'Chief? We have a problem here.'

Hilton's strident tones rang over the comm-unit, 'Can't you vapour-brains handle anything without me?'

'There is a thing that looks like a rock eating its way through the server room, sir.' The lights started to flicker and then went out. Blake continued. 'I think it just ate the environmental system controls. The life support systems are located in the next bay. If it eats those we are going to be sucking vacuum. Have you seen Jimbo Jones? This looks right up his alley. I would also like to have a few words with him about pushing me into that Death Slime!'

#

'Where the hell do you think you are going, Jones?' shouted Hilton to Jimbo's retreating back as he headed down the darkened corridor.

'Just reporting to the Brig Chief, as ordered.'

'Get your arse down to the server room. We'll talk about this later.'

It was hard to see the Chief's expression by the dim light of the emergency lights but he didn't sound happy. He probably needed more fibre in his diet, thought Jones.

#

When Jones arrived at the server room, the three officers had their Desert Eagle Mk VII rail guns roughly pointed at the creature that was contentedly chewing on a motherboard. It was hard for them to bring their guns to bear due to the fact that they were all crowded into a utility closet.

'A rail gun won't stop one of those,' Jones observed.

'Jones, I have a bone to pick with you!' said a muffled voice from the back of the closet.

'Don't tell me that you are still upset over the Death Slime incident? Human flesh is the only way to kill it. You guys just happened to be handy.'

'Maybe we could settle this at another time,' suggested Dawson. 'It looks like Rock Face is starting on dessert.'

There was a sudden whine followed by an eerie silence as the circulating fans wound down. The space station was never silent; the ever present hum of machinery was the beating heart of Dockland.

'That doesn't sound good,' said Blake. 'What do we do now?'

'Well, what we have here is a species of Rock Dog,' Jones said. 'They are very rare; I've only ever seen one before. As they are a silicon-based life form, they are almost indestructible and obviously have an appetite for computer chips. Rock Dogs are pack animals, so it is probably lonely.'

'You idiot! It's lonely? Lonely! It's eating the life support computer. We are all going to die! How do we get it out of there?' spluttered Stoikalizky.

'Is it conscious? I mean, can it think?' asked Blake.

'I think it can think. And what I think it's thinking is "I'm lonely".'

'Man, you are obsessed.'

There was an uncomfortable pause.

'I think I'll call him Pookie,' Jones finally said.

An alert tone began to sound, overlayed by the dulcet tones of the station's main computer. 'There is an emergency on the station due to falling oxygen levels. Could all oxygen breathing entities please proceed calmly to your evacuation station? Have a nice day.'

'Jones, we need to do something now!' said Dawson.

'Right you are.'

Jones pursed his lips and let out a piercing whistle. Suddenly an access panel in the roof flopped open and a hairy shape dropped onto Jones's shoulder. Stoikalizky screamed and tried to climb over Blake to get to the back of the closet.

'Relax,' Jones said, 'he's with me.' Patting the space monkey fondly, he continued. 'Snort, I need you to go and get me your litter tray. Can you do that for me?'

'Snort thinks Jimbo's a banana short of a bunch.'

'There's a fruity bun with your name on it if you are back in less than a minute.'

Jones had barely finished his sentence before the space monkey had disappeared back up the access panel.

Blake said, 'I'm with the monkey. How is a litter tray going to help?'

'Watch and learn chaps,' Jones said as Snort returned with his litter tray. He handed Dawson some monkey poo. 'Here, hang onto this.' Dawson looked down at the mess in his hand and frowned. Jones continued. 'Sand as you know is mostly silicon dioxide and is considered a delicacy by Rock Dogs. It is much better eating than computer chips.' Jones held the tray out in front of him and began to move slowly towards the rock dog. 'Here, boy, get your nice sand. Good dog.'

The rock dock gave a cautious growl but then it starting sniffing and it bounded over to the tray of sand. As it excitedly ate, Jones scratched its lumpy hide. The Rock Dog wagged his little stump and squinted up at Jones with love.

Jimbo smiled back and said, 'You are one ugly dog.'

*

Monday, 22 October 2007

FLASH FICTION - Docklands

Illustration (c) 2007 Carl Goodman


Docklands

Copyright (C) 2007 David C. Such

First published in AntipodeanSF (http://www.antisf.com/index.html), Issue 113, October 2007.


A huge green tentacle dripping with yellow slime emerged from behind the quarantine bay at Star Dock Four. Jimbo lifted his 20 mm Glock Discombobulator and sighted where he expected the head to emerge. Culling new species of space vermin was always tricky; you never knew where the vital organs would be located. Still, the Glock D solved most problems.

As a pulsating glob of green flesh followed the tentacle around the corner, Jimbo squeezed off a shot. An enormous whoosh displaced the air in the dock and Jimbo was pushed back a metre by the recoil.

In the next dock, Customs officers Blake and Stoikalizky were surprised when it began raining green ichor.

"Bloody Hell," Blake said, "This is a new uniform." He tried to wipe the slime away.

Stoikalizky, a newbie, gave a quizzical look and said, "Does this sort of thing happen a lot?"

Blake shrugged, "Depends. Jimbo is responsible for keeping the docks clear of any alien life that escapes from ships loading and unloading. Quite an exotic ecosystem has built up over the years."

"I thought ships were sterilised?"

"You mean that pathetic spray they use when they walk through the cabins? Useless! A couple of years ago we had a plague of mutant star crabs. It took Jimbo months to track them all down. We lost a few good officers before he got them all."

"They didn’t mention crabs in the corporate video."

***

Blake was showing Stoikalizky the outer Dock area when they pulled up short of what looked like a sea of black moss. Stoikalizky was about to step onto it when Blake grabbed his arm and said, "Whoa, boy, you don’t want to join that poor soul."

A Customs officer's cap sat in the middle of the alien moss.

"You don’t think …"

"Let’s not take the chance." Blake activated his com-unit and said, "Jimbo, this is Blake, Hanger 3, looks like we have a clean up. Possible officer down."

***

"What do you think?" Blake asked.

Jimbo fished out the cap with a long, rod-like contraption. "I think Dawson won’t need his hat," he said, "I saw this stuff back in '24, looks like some of the spores escaped."

"What is it?"

"Well — I don’t know its official name, but I call it Death Slime," Jimbo said in slow, country drawl.

"Death Slime! You've gotta be shitting me!" said Stoikalizky.

"I shit you not."

"So how do we kill it?"

Jimbo stroked his chin and twirled the hat of the late officer Dawson. "Hmmm. Tricky," he said.

"What do you mean, tricky?" said Blake "Just do whatever you did last time?"

"I guess that will work." As he said that, Jimbo pushed the two officers onto the Death Slime.

Apparently, human flesh was toxic to the slime in large doses.

Hopefully, three would do the trick — this time.

*

Monday, 1 October 2007

SHORT STORY - Entropy

Illustration (c) 2007 Carl Goodman
(http://www.image-design.co.uk)


Entropy

Copyright (C) 2007 David Such

First published in Planet Magazine (http://planetmag.com/2007/09/30/entropy-by-david-such/#more-147), 30th September 2007.

I remember dying, but my earlier memories are beginning to go. Being a particle physicist gives one a unique perspective on death, particularly while participating in the greatest experiment ever.

My initial thesis was to attribute my memory loss to the Second Law of Thermodynamics. Our universe resists order and works to always try to increase disorder. We physicists refer to this disorder as entropy. The portion of the electromagnetic wave encoded with my personality and memories was obviously degrading, and taking me with it.

I thought back to earlier in the morning….

* * *

“Jim, are you sure you want to do this?”

I looked up at my brother from the medical trolley. “Mike, you know I have to. There is no other way to prove my theory.”

“This won’t bring back Jessie,” said Mike.

“I know, and I’m not planning on joining her just yet. That’s why I’ve got the best doctor I know — my own brother — supervising the procedure.”

“Jim, even if we bring you back there may be brain damage.”

“I know the dangers, and it is a risk I have to take. Otherwise, everything else has been for nothing. All the sacrifices and Jessie’s death will be meaningless. You have to do this, Mike, and if you won’t then I will find someone else who will. I trust you; please have faith in me.”

* * *

I had no way of estimating how quickly I was losing what defined that which was uniquely me. Being a wave of radiation, I must be moving at the speed of light, which meant that relative to everyone I used to know, time had stopped.

Did this explain reincarnation? Was I even now seeking out a new body to inhabit, or was I destined to drift in space forever? The one thing that really scared me was losing my mind before the Institute could bring me back.

* * *

Mike watched me die. Not once, but twice. First was clinical death when the heart and lungs stopped. Then there was brain death.

Mike was watching the monitors carefully. All electrical brain activity had flat-lined. “Nurse, what is the weight now?”

“It just dropped 20 grams,” she replied.

“OK, that is the signal. Commence resuscitation and start the clock. We have seven minutes to bring him back before the cerebral cortex dies.”

Anne Walker was the Institute’s in-house lawyer, and she was supervising the experiment in case it all went wrong. She was taking notes and gestured with her pen. “What is the significance of the weight loss?”

Mike replied absently as he supervised the medical team. “We lose approximately 21 grams in weight when we die, the so-called “weight of the soul”. Assuming that this is correct, and that the entire weight is converted to energy, my brother’s soul is now a wave of energy equivalent to almost half a megaton of TNT.”

Anne replied, “So that is your brother’s theory, but a wave going where?”

“That is the big question, Anne, and only one person can tell us. If we can bring him back, that is.”

There was a sudden flurry of activity around the supine form of the professor, and Mike rushed to assist. There were five minutes remaining on the clock.

* * *

I couldn’t feel anything, or see anything or sense anything. Maybe this was hell, drifting in limbo while my mind decayed. Dante described Limbo as the first circle of hell, populated by “neutralists” or “opportunists.” Thinking back on my life, that described me pretty well; however, I was hoping to prove something with my hopefully temporary death.

Memory was a funny thing. I loved Jessie but already my memories of her were dimming. It was the little things that went first, the smell of her hair, the feel of her skin. I always believed that you weren’t really dead until everyone had forgotten you.

I remember laughing when I read what Australian billionaire Kerry Packer allegedly said after his first heart attack: “I’ve been on the other side and let me tell you, son, there’s f—ing nothing there.” I wasn’t laughing now.

And if I remembered my catechism correctly, all I needed to do was hang around until Judgment Day; then I would be sent to either heaven or hell. Of course, suicide was a mortal sin, so there wasn’t much doubt where the Church thought I would be heading eventually. I think I had more chance of being extracted by the Institute.

There was one problem with my entropy theory. If time had stopped, then why were my memories disappearing? There must be some other mechanism at work.

So I turned all my attention inwards. I could feel something. I could sense an external influence alternately adding and subtracting from my essence. This ebb and flow seemed to be made up of million of voices. Concentrating, I could barely resolve fragments of sentences: “God, please help Becky…”, “…it will never work…”, “…love you,” “Jim, breathe, damn it….”

String theory claims that everything in the universe is made up of vibrating strings. Songs and prayers were adding to my energy, building the resonance and sustaining me. The negative thoughts and emotions were destructively interfering with the vibrations in the strings that defined me. I had to hope that the constructive influence would outweigh the destructive ones. I just needed to have faith.

* * *

Doctor Mike Andrews was working feverishly. “Charging….”
He glanced up at the clock, one minute to go. A tear rolled down his cheek. “Live, you bastard …clear!”

* * *

At that moment in Rome, Pope Benedict XVI sat down for a news conference. He adjusted his robes and began the address. “We have gathered you here today to announce that we have decided, after much analysis, interpretation, and prayer, that Limbo is only a theological hypothesis and is not a definitive truth of the Faith. From this moment, the International Theological Commission is abolishing the concept of Limbo.”

* * *

Jim Andrews looked up at the clock and started to sob. Mike was gone. So much for faith….


*